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It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by.
But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.
Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.
Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting.
It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.
Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.
The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.
Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.
Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.
He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.
Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.
Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.
What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.
Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.
It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.
Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.
Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.
The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.
The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.
The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.
For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful.
All of which brings us to Daniel Craig as Bond. While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.
He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.
He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.
Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films. While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.
Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.
Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. With Daniel Craig reinventing the role like never before, Casino Royale reboots the Bond franchise with gusto and intelligence not seen before in the long running franchise.
Thanks to the best story of the series to date, Casino Royale features the right blend of exhilarating action and heart pounding drama. Daniel Craig is the best Bond since Connery and for my money the best actor to play the character.
The fact that the series hasn't reach the heights of this film before or since only makes it an easier decision as my all-time favorite film in the franchise.
Even casual fans can get their money's worth out of this. If you only watch one Bond film, make it this one. Daniel Craig revitalizes the Bond franchise the same way Bale saved Batman.
This was a throwback to the good ol days of Connery Bond. Almost all the the good stuff i heard about Casino is true.
It is indeed one of the best Bonds ever and I'm really looking forward to the next installment. Now - I hate when people say this but here goes - this movie was just too darn long.
Don't even TRY to introduce a romance two hours into a film. More Top Movies Trailers Forums. Season 7 Black Lightning: Season 2 DC's Legends of Tomorrow: Season 4 The Deuce: Season 2 Doctor Who: Season 11 The Flash: Season 3 Saturday Night Live: Season 4 The Walking Dead: The Crimes of Grindelwald First Reviews: Less Magical than the First.
Part of the Collection: View All Videos 1. View All Photos James Bond's first mission takes him to Madagascar, where he is to spy on a terrorist Mollaka.
Not everything goes as planned and Bond decides to investigate, independently of the MI6 agency, in order to track down the rest of the terrorist cell.
Following a lead to the Bahamas, he encounters Dimitrios and his girlfriend, Solange. He learns that Dimitrios is involved with Le Chiffre, banker to the world's terrorist organizations.
One of the most egregious examples comes at the end of the opening parkour chase sequence. In the script and in the movie Bond breaks into the Nambutu embassy in an effort to capture a bomb maker only to be cornered by a group of soldiers with automatic rifles.
Frustrated, Bond drops his gun and releases the bomb maker. In the movie, Bond then whips out a second pistol and shoots the bomb maker in the heart and a gas tank behind the soldiers, incapacitating his enemies just long enough to make his escape.
In a moment that defines the new, darker James Bond, he kills an unarmed assailant. Check out this passage:. The goal of giving the bomber this dialogue is two-fold: But ultimately, this writing of the scene comes from the exact same mindset that made George Lucas have Greedo shoot first in the STAR WARS re-issue — the hero needs to be retaliating, never instigating.
She has people she needs to answer to as well and even though she's the head of the Secret Intelligence Service she's still accountable to a higher power.
This whole angle of the story might have been extraneous or boring to some people but I found that it simultaneously helped flesh out the Craig Bond universe and added a lot more needed suspense.
It helped create a tense feeling that you couldn't be sure who was "good" and who was really on Bond's side, and who was only doing the right thing because it was politically convenient or served their own interests.
Unless the UK is physically moving, no it isn't. Brexit was about leaving the EU, Europe is a geographical area.
I think the main problem with QoS isn't that it's a bad movie, I'd say it would probably rank in the around the middle of Bond films.
The problem is mainly the fact that it came right in between two highly regarded Bond films in Casino Royale and Skyfall. When I initially watched QoS, it was kind of forgettable to me for some reason.
I can't quite place why that is. I definitely agree that QoS is underrated though. I also agree that Camille is one of the best Bond girls and her plot is really intriguing.
Casino Royal is my all time favorite movie. Coincidentally or maybe not so much it has the best Bond girl acting I've seen in any of them.
I felt about Vesper the same way he did, attached. The other Bond girls he doesn't care much about and neither do I.
I feel like I've been able to feel the same emotion as Bond so hats off to the director and writers, brilliant work. And let's face it, M was the real Bond girl of that film.
I liked Skyfall better and thought his relationship with M was even better than his relationship with Vesper not to hate on it.
I also thought skyfall was much more visually interesting. I have to admit I was focussing primarily on Bond's love interests but M certainly has more than enough history with Bond to warrant "Bond girl" woman?
She's like the mom in the Bond films though, and a movie about her and the choices she made leading up to the monster that is Silva is a side of Bond we don't get to see.
He wants to protect her and to be loved by her, but hates her for making him what he is. I totally agree that Vesper and Bond's chemistry was a major highlight of Casino Royale, something none of the subsequent Bond films could recreate.
Thunderball is the best and most underrated Bond film. Not only is it classic Connery , it also opens with a fake funeral, a punch up with a cross-dresser and a jet pack escape.
It ends with an underwater battle of good and evil, including harpoons to the face plus there's sharks! The map room in the scene where all of the 00s are getting briefed is probably my favorite set in the whole franchise.
It's huge and gorgeous. There's a video pointing the same comparing the book with the movie. Reddit has a thing for eva green! I need some film suggestions so I can experience what the buzz is all about.
Watch the show Penny Dreadful. It's extraordinary and she's extraordinary in it. So many brilliant actors in that show.
Yep, he's still my favorite Bond. I know License to Kill is controversial in the fandom, but I fucking love it. I think it had more to do with it being a harder, tougher Bond than what we've become used to.
The "love" angle did play a big part, you're right, but the character was more reminiscent of what he was in the books which made it such a great film.
It's one of my favourite Bond films for that reason. I totally agree the train scene dialogue is some of the best ever. She gives Bond a soul.
It is by far the best bond. I always say for film franchises - you should be able to enjoy each one on its own with no context from the others.
A part of the whole, but still a part. Also, she is one of the most devastating women to Eva ; walk the earth. Casino Royale is the best bond film for better reasons than that, buddy.
Watch the special features; it will blow your fucking mind so much That's the whole point.. It's dumb to always have some sort of love interest in each movie.
One of the best things that I like about the new movies is that they don't have the needs to have a new deep love interest in each movie.
Fields was just there, it's assumed he slept with her, but there was no faked or forced love interest. Then with Camille he very much saw her as an equal, and did not have romantic love for her.
It was really refreshing that they just interacted with each other without having "that moment" where their eyes caught each other or some other crap.
All that being said, this last Bond movie was a back alley coat hanger abortion and even more of a disappointment after watching the end of Skyfall.
Isn't she the whole reason bond doesn't really have a relationship worth anything in any of the the other movies? Wasn't casino the prequel to everything?
According to me, it is better because it follows the source material closely. The Bond in the books is very much different from majority of the Bond movies.
They should have continued with the rest of the books. They could have even remade Dr. QoS is so boring.
Decided not to watch Spectre. At this stage only some miracle can save the series. Until then I have to be contend with M: I series and The Kingsman movies.
I feels like that's a bit of an overstatement, but the flim was able to convince us that Jame Bond may have a shot at a real relationship with Vesper.
That's rare for the character. Vesper is definitely a great character. The other female characters in the subsequent films are forgettable by comparison.
It's not the best Bond film. It saddens me how gruesome and torturous her death was, and it was videotaped How fucked up is that?
Especially the part where she could have lived but she allowed herself to die. Right in front of James too who did his best to save her but it was too late.
Shit would scar anyone. I completely agree that it sets up bond's attitude towards the "bond girls" in later films and was clearly thought out that way, its not the sort of thing that made James Bond so popular in the first place.
In my opinion it's the best Bond film to have been made. It was so gorund breaking in its portrayal of , and craig's new, gritty performance worked perfectly.
It's a Bond origin film, and i loved it. Unfortunately they've been unable to replicate the same feeling since. I would agree and also I really loved how Martin Campbell and the writers kept the story self-contained compared to other Bond films really making it stand out and the pacing.
I also loved Skyfall especially with making M's relationship with Bond and Silva the focal point. Vesper is an actual character.
A real bond girl. Not just a pair of boobies. In some movies the bond girl plays a very small part or is completely one dimensional. Vesper was a well developed character.
I don't like Bond movies, they are very well executed but the stories and characters have become a cliche of themselves. Casino Royale is a great exception.
It's because Bond was cool, the villains were great, and it had a nic story line. I've never found Bond compelling, with the whole "bangs hot chicks and saves the day" shtick.
It's hard to root for a caricature. Daniel Craig's Bond having real emotions and vulnerabilities made him feel like a three-dimensional character.
It might be the best film, but it's oddly not the one I have the most fun watching. When I see Goldeneye or Octopussy there is something about the camp in those movies that makes me prefer them.
Casino Royale is my favorite Bond movie and I'm an avid fan of them since I was child , though I would argue it's not just because of his relationship with Vesper, it's because Bond actually has feelings, emotions, and you can see his vulnerability.
You can in fact see and feel that he is a person and don't view him simply as a force of the story. His questionable ties to humanity are presented and even resolved in a way; this film shows a glimpse of what it's like to live in the center of world events, but really Bond is living on the outskirts of humanity it.
Despite everything that happens in the film, the numerous ways he almost dies, is harmed, or suffers physical abuse highlights the fact that he is in fact, a man and not just a protagonist force of nature as we often experience in other Bond films.
This film completely avoids the campy attitude of prior movies which really made this feel like the most 'realistic' of the Bonds The real triumph of this film to me is that even though Bond endures grievous wounds and bodily harm, it's the emotional turmoil and damage that effects him the most We don't see any of this kind of development in other Bond films.
Yes, his relationship with Vesper and the emotional presence of Daniel Craig and Eva Green are the catalyst for those vulnerabilities and provided the means for the story to unfold in a meaningful way.
I think the more serious approach to Casino Royale already made it the best Bond movie, but his relationship with Vesper made it exceptionally memorable and touching So in a way; for me, it made the Best even better and added depth I never knew I wanted to see in the franchise.
Off topic, but I don't think Casino Royale and Skyfall belong in the same continuity. Casino Royale was all about Bond being a hotheaded rookie, having just acquired his 00 status.
Two films in, and now we're playing with the "too old for the game" storyline. They are in the same continuity. In addition to Vesper, I think Bond's vulnerability is something we don't really see as much of in other films.
I don't mean vulnerable in the sense of danger, more so with respect to emotions and personal identity. Wasn't the whole point of that relationship to explain why he was so superficial moving forward, that she broke him so badly he could never get over it?
My dad and I don't bond much but if a daniel craig bond movie is on we are into that shit. Even if we have seen the movies tons of times we're still laughing about the same parts or get really into some of the scenes when we first watched it.
Thanks for posting this OP. Forget the Bond franchise. Casino Royale is one of my five favorite any films! Beautifully written, shot, chopped.
As a fan of the classic Bond movies, I found all of Daniel Craig's movies to be garage, not because of him, but because of the writing.
I really liked the idea of Vesper and Eva Green's portrayal but the movie lacked the whimsical fun of earlier movies. No gadgets, no thank you.
Sure they were overboard and often beyond believability, but if you look at some of the ideas: Was it really believable that she was so upset by the attack in the stairwell that she went into shock?
That part felt really off to me when I first watched it and I kept wondering why he was acting like it was such a big deal for her, so I kept expecting an explanation.
It has by far the best romance plot line of the Bond movies. I think i need to go back and watch this movie as an adult, teenage me was expecting a more traditional bond film so there are parts I've just not grasped.
Bond films are notorious for poorly written romantic relationships? If you're looking for that in a Bond film, you're looking in the wrong place.
I've watched each Bond many times well some only a couple. Romanticism was welcomed with Casino Royale, but it certainly wasn't missing from the series.
Vesper Lynd is hardly even the best Bond girl, she doesn't even really do anything to move the story forward except at the end of the film - by dying!
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